Arcade Fire made the best album of the year and Savages released the top debut I heard. Mikal Cronin recorded pure pop bliss, while the new Deerhunter album reminded me how lucky we are to have Bradford Cox churning out intriguing music. See the full list for the year’s top 10 albums below.
1. Arcade Fire – Reflektor. The latest from Arcade Fire is far more diverse and imaginative than the Grammy-winning album The Suburbs. Produced by James Murphy, Reflektor mixes disco, Caribbean, dub and other styles. There is more than a nod to the Clash’s Sandinista!
2. Savages – Silence Yourself. This is an aggressive debut from a U.K. female quartet that pays homage to earlier post-punk bands. Think of Siouxsie and the Banshees only tougher.
3. Mikal Cronin – MCII. Cronin makes great music, but he really over achieved on this hook-laden record. Irresistible pop from Ty Segall’s collaborator.
4. Deerhunter – Monomania. Even by Deerhunter standards, this album is pretty edgy and raw. It’s one of the more overlooked albums this year.
5. The National – Trouble Will Find Me. The latest from the National doesn’t hit you in the face. But the depth of the songs will pay off after repeated listens.
6. Bill Callahan – Dream River. Callahan more often resembles a poet than a singer, speaking through his songs in his deep, impassive voice.
7. Kurt Vile – Walkin on a Pretty Daze. As meditative as this album sounds at points, Vile lays down some serious guitar licks. An original musician with a distinctive sound, he sometimes reminds me of mid-70s Neil Young.
8. Waxahatchee – Cerulean Salt. This is a personal-sounding album from Katie Crutchfield, who performs as Waxahatchee. The songs and music are reminiscent of the very best parts of Liz Phair’s Exile in Guyville.
9. The Men – New Moon. While New Moon explores a hodgepodge of styles, the new love for country rock stands out. Maybe because the album was recorded in a cabin?
10. Thee Oh Sees – Floating Coffin. Some day, I expect Thee Oh Sees will make the No. 1 album of the year (at least on my list). Frenetic, infectious rock ‘n’ roll. Sheer enjoyment.
Rounding out the top 20:
11. Superchunk – I Hate Music. Elder indie rock statesmen make a record to keep your head nodding and feet moving. A strong offering from a band who has been going for almost a quarter century.
12. Foxygen – We Are the 21st Century Ambassadors of Peace & Magic. This has to be one of the most fun albums of the year from guys who take a real tongue-in-cheek approach to ’60s and ’70s genres.
13. Cass McCombs – Big Wheel and Others. Here is an excellent collection of songs from a great singer-songwriter. If you pare it down to the very best tracks, this would be a top 10 album.
14. Polvo – Siberia. What a great comeback for these ’90s noise warriors. Essentially, they stick to the same formula but it sounds fresh today.
15. Ty Segall / Fuzz – Sleeper / Fuzz. We again see the two sides of the prolific Bay-area rocker. With its slow to mid-tempo acoustic and electric numbers, Sleeper is similar to Segall’s 2011 release Goodbye Bread, while his new band Fuzz pays tribute to stoner rock from four decades ago.
16. King Khan & the Shrines – Idle No More. If you listen to just the upbeat, soulful music, you’ve got a great dance party. Underneath, Khan wants to make a statement about the wretched world we live in after battling his personal demons.
17. Queens of the Stone Age – Like Clockwork. I really didn’t think Josh Homme had another good album in him (at least not as Queens), but Like Clockwork is a rollicking good time.
18. The Love Language – Ruby Red. Listening to the full sound of Ruby Red, you wouldn’t know the Love Language originally started as a guy making bedroom recordings. Stuart McLamb created a powerful pop album that’s also a blast.
19. Unknown Mortal Orchestra – II. The second album from Unknown Mortal Orchestra is quirky, funky and sometimes breezy like its predecessor but I like the songs better on this one.
20. Wavves – Afraid of Heights. The latest album from Nathan Williams doesn’t stray far from King of the Beach (2011). Afraid of Heights is tighter and rocks harder.
Honorable mention. Here are some other albums you should check out: Majical Cloudz, Impersonator; Swearin’, Surfing Strange; Crocodiles, Crimes of Passion; Iceage, You’re Nothing; Oneohtrix Point Never, R Plus Seven; No Age, An Object; Yo La Tengo, Fade; Fidlar, Fidlar; Suuns, Images Du Futur; and Charles Bradley, Victim of Love.
HEY THERE! All the Young punks has a new home. Read this article and others at alltheyoungpunks.com.
If you’re going to the Men-Fuzz show at Logan Square Auditorium Friday, go early for openers Purling Hiss and CCR Headcleaner. San Francisco-based CCR brings the heavy, psychedelic and slightly scuzzy muck on the band’s debut Lace the Earth With Arms Wide Open. CCR, the first band, will definitely get the crowd warmed up. The show is presented by Empty Bottle.
Here’s a can’t-miss show: The Men and Fuzz, the latest project from Ty Segall, play Logan Square Auditorium Friday. The Men, which again made one of the best albums of the year, headlines. It should be loud and rocking.
Having crossed the midway point of the year, it’s time for a look at the best albums of 2013 (so far). And since it’s too early to give anyone the crown, I’ve listed my top 10 in alphabetical order by artist.
Mikal Cronin – MCII: This is great power pop from Ty Segall’s buddy.
Deerhunter – Monomania: Bradford Cox teased this album before its release by calling it a “mystery disc of nocturnal garage.” Cox is one of the most interesting musicians out there today.
Foxygen – We Are the 21st Century Ambassadors of Peace & Magic: First of all, I’m a sucker for bands who can work a clever foxy reference into their band names. These guys bring a light-hearted approach to ’60s and early ’70s music worship.
The Men – New Moon: The rockers go a little more country than their last album. But this is a record full of multiple genres, punk, classic rock, post punk and more. This has to be one of the most under appreciated albums of ’13.
The National – Trouble Will Find Me: I’ll be honest. As much as I love the National, I had to warm up to this one. But patience pays off. This is good stuff and it’s potentially another classic from one of our national treasures.
Savages – Silence Yourself: It begins with a snippet from a John Cassavetes movie and then explodes into an old-school post-punk beast. As I said in a previous review, this is a brutally good album.
Thee Oh Sees – Floating Coffin. Do Thee Oh Sees make new albums or do they just record the same one over and over. I would argue that the band branched out a bit on its last two or three releases. Floating Coffin even includes a ballad. And who cares if each album is so freaking awesome?
Unknown Mortal Orchestra – II: Like Mikal Cronin, the band didn’t spend a lot of time on a creative album name, but this is highly original music from a band you should get to know.
Kurt Vile – Walkin on a Pretty Day: Kurt Vile is Mr. Reliable as he always delivers great albums. As mellow as this one seems at points, it ranks among his best.
Waxahatchee – Cerulean Salt: Katie Crutchfield, who performs as Waxahatchee, reminds me of the best parts of Liz Phair’s debut Exile in Guyville. That’s not to say she’s aping Phair, who flamed out quickly. This is great, honest music.
You can catch some of these acts in Chicago over the next week. Mikal Cronin, Foxygen, Savages and Waxahatchee play Pitchfork fest this weekend. Savages also plays Lincoln Hall Friday. Schubas hosts Foxygen Friday and Waxahatchee Saturday.
The latest relese by the Men, New Moon, starts with a country-style ballad. It’s not what you’d expect after last year’s burner Open Your Heart. But it prepares you for the other country-tinged songs on the album. Don’t get me wrong — this isn’t a country album. The Men blend a number of styles — garage, alt-country, punk. Though the album starts off with a slow song, it quickly picks up with Half Angel Half Light, an upbeat almost clasic rock number that reminds me of Tom Petty. The momentum continues through the next track, Without a Face.
My favorite song on the album is I Saw Her Face, a Neil Young and Crazy Horse-style rocker, which could have been the album’s climax. But two songs later, we’re treated to The Brass, an aggressive punky number that makes you realize New Moon sounds almost like a compilation rather than a cohesive album. Electric is another great anthemic number. At this point in the album, you’re thinking the focus has really shifted from country to punk. But then here comes another classic country-rock type number, Bird Song, followed by another catchy punk song, Freaky.
The story of this album has been told a few times already. These guys from Brooklyn took off to the Catskills to record the album in a cabin. That explains the country influence, right?
The album closes on the eight-minute long MC5 homage jam, New Moon. After listening a few times, I’m not sure that the jam holds up for the entire eight minutes. But this album, overall, holds up very well. It’s the best thing I’ve heard this year and it’s highly recommended.
These guys were previewing their recently released material as early as SXSW last year.
The Men play Chicago’s Lincoln Hall April 11.
Here’s something to get excited about: a new song and album from the Men. The band just released this second song, I Saw Her Face, from the upcoming album New Moon. It’s an awesome country-influenced rocker that sounds a bit like Neil Young and Crazy Horse. New Moon comes out March 5.
Here’s a new song by the Men, played live and loud. Electric is now available on 7-inch and will be on the album New Moon, which is set for a March 5 release. The just-released video is actually from a gig in London last year.